Nick:
Sometimes I need a pick me up. Something to re-energize and not only get the creative juices flowing but the mind dreaming and thinking. I can get this from various sources: good conversation, music, books, movies, football but ultimately friendship. Loyalty and doing something special for someone you care about has it's own benefits. I'm always reminded of the closeness of good friendships when I watch The Wild Bunch. The Wild Bunch is often remembered for it's bloody violence and Peckinpah's slow motion action sequences. There is so much more here, the real message in this picture is about redemption and doing the right thing.
The Wild Bunch are a group of outlaws looking for one last heist so they can get out of the robbing game. They're getting old and looking to settle down, in a changing Western landscape that is leaving them behind. Peckinpah's casting for The Wild Bunch is not only acknowledgment of the old west, but also a tip to old Hollywood, The Wild Bunch a calling card as much as any picture for the change happening in American film during the late 60's. So we have old actors like William Holden, Ernest Borgnine, Robert Ryan, Edmond O'Brien and Ben Johnson leading the action of a Peckinpah's picture, giving one last hurrah before the new acting gods take over. Thrown in is Peckinpah's own on screen alter ego Warren Oates, requisite for the wild of the title.
Holden is the emotional core of the picture. Troubled by the betrayal of an old friend who now hunts him down, Holden's Pike Bishop is not only the groups' planner and leader, but he's their moral compass. His beaten body is a metaphor for the weary struggle the group face in constantly being on the run. The Wild Bunch disagree constantly, and macho stand offs are constant between themselves. But Peckinpah shows us the crude humor and closeness of The Wild Bunch, which lends complete credibility to the massacre at the end. These friends will ultimately die for each other. The stand off in Mexico at the end is about loyalty to a friend and doing it for the hell of it, because there is nothing better to do than going out in a blaze of glory. It's this sense of morality mixed with rebelliousness that ultimately makes The Wild Bunch such a moving picture.
Peckinpah's film looks exquisite, especially the Mexican scenes. He imbues his film with documentary like scenes just showing how it is. The Wild Bunch has had influence, you can catch it in the films of Tarantino, Robert Rodriguez, The Coen Brothers, John Woo and others. They still miss the emotional qualities Peckinpah brings to his cinema, often just aping the technical aspects. Better was still to come from Sam Peckinpah with the melancholy grace of Pat Garrett & Billy The Kid. But The Wild Bunch was his initial roar, his first film that showed his vision complete. It's acknowledged for sure, but The Wild Bunch is still inspiring and still a masterpiece.
Monday, September 27, 2010
Sunday, September 26, 2010
Windtalkers (2002) Directed by John Woo
Nick:
War, what is it good for? Apparently a host of war movies. Hollywood still churns these things out at an alarming rate. Saving Private Ryan, The Hurt Locker, Inglorious Basterds, Black Hawk Down, Valkyrie. It seems strange in this day and age that intelligent film makers still make the kind of war movie that offers no real political context but are pictures about individual heroics in any given situation.
It's possible that John Woo's Windtalkers is trying to convey a message of racial tolerance with it's story of two Navajo Marines using their native language as unbreakable codes to further the US army's battle against the Japanese in the Second World War. Of course the Navajo are treated with suspicion and racist insults by the good old US Marines they fight alongside. Clint Eastwood covered the political implication of this implicit racism with more subtlety in the disappointing Flags Of Our Fathers.
Macho spirit is still alive and well in Windtalkers, and it seems just showing that you can become a killing machine, weather Navajo or not is enough to get those pesky racists on your side. So much for a thoughtful discussion on racism in the armed forces. Windtalkers really is quite awful. This film pretty much ended Woo's patchy association with Hollywood and you can tell that the film has been compromised. Woo's usual high standard of action sequences are missing here, replaced by a journeyman approach to visual combat.
The only redeeming feature here is another great Nicholas Cage performance as a character who's on the edge and probably insane. He plays these so well, Cage is always watchable in this form. Unfortunately the rest of the picture lets him down in the most pathetic, cliched manner. Like the machine gun fire that's often relentless in Windtalkers, avoid this picture for the sake of your own well being.
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